Tag Archives: Jacobs Ladder

A second Edinburgh Alphabet (I-Q)

Back in 2017 I posted an A-Z of Edinburgh poetry. This summer I thought I’d do another, so in the run-up to this year’s Fringe poetry walks I’ve started posting on instagram and Facebook. Thus far I’ve done A-Q; you can find I-Q outlined below, and A-H in an earlier post here.

I is for Iain Crichton Smith
J is for Jacob’s Ladder
K is for Kirk, Thomas
L is for Lepel, Benhard von
M is for Maps
N is for Newhaven
O is for Outlander, Otway & Orphan
P is for Paolozzi
Q is for Quincey, Thomas De

Iain Crichton Smith, from Lewis, and living much of his life in Argyll, wrote about Edinburgh, not always flatteringly. The image above shows an inscription in Makars Court: ‘Let our three-voiced country / Sing in a new world’ – from a poem read at the opening of the Scottish parliament in 1999.
Jacob’s Ladder runs up steeply from the gloom of an overhead railway bridge on Calton Road to the open vistas of Regent Road.
Thomas Kirk was a Yorkshireman who kept a journal of a tour of Scotland made 1677. On May 29th he describes the pretty wild celebrations on the anniversary of Charles II’s restoration – a volatile mix of wine and gunpowder.

Bernhard von Lepel travelled to Scotland with Theodor Fontane in 1858. Fontane’s travel book Jenseits des Tweeds (Beyond the Tweed) appeared in 1860. A English edition features drawings made by von Lepel on their travels.
This map dates from 1836, when the grid of the New Town has extended the city to the north.
Newhaven is a former fishing village north of the city centre, between Leith and Granton.

Otway‘s play The Orphan is quoted in a court of Bakehouse Close, one of the locations for the tv series Outlander.
The artist Eduardo Paolozzi was born in Leith to Italian parents. Technology, science and pop culture became central to his work, and as his reputation spread he received an increasing number of public commissions, including several in Edinburgh. The hand is from Egeria, University of Edinburgh, Kings Building.
Thomas De Quincey, best know for Confessions of an English Opium-Eater, lived for many years in Edinburgh. For some time he lived in New Town grand surroundings, but unpaid debts meant he took advantage of the debtors’ sanctuary at Holyrood.

Edinburgh (2nd edition)

Almost 18 months ago Barie Tullet’s Caseroom Press published the pamphlet Edinburgh: poems and translations. The first edition – hand-sewn, with covers in a wide range of colours – is now sold out, and last month a second edition appeared, with staples and a uniform cover. The contents remain the same – poems about the city written in 1996-97 and 2016, plus translations from Victor Hugo, Theodor Fontane and the 17th century Latin of Arthur Johnston.

The first sales were at last month’s Artists Book Fair at the Fruitmarket Gallery. Also on sale there were two new pamphlets, both featuring poems that would have made the cut for Edinburgh: poems and translations had they been written a little sooner.

They were commissioned by the first Push the Boat Out festival in autumn 2021, and again refer to sites in Edinburgh’s Old Town: ‘Jacob’s Ladder’ beneath the railways bridge at the junction of Calton Road and New Street, and ‘The Ballad of William Knox’ at the poet’s memorial stone in the New Calton Burial Ground, not far from the Stevenson vault, where Robert Louis’s grandfather, father, and uncle are all buried. (There are some photos of his memorial in an earlier blog, part of An Edinburgh Alphabet – scroll down to ‘K’.)

Edinburgh: poems & translations
ISBN 978-1-905821-35-8
210 x 125mm, 16 pages, soft covers

Jacob’s Ladder
No ISBN
282 x 99mm, 4pp, grey endpapers

The Ballad of William Knox
No ISBN
282 x 99mm, 4pp, blue endpapers