My translation of the opening of Christopher Ecker‘s compelling novella The Fourth Wound (Die vierte Kränkung is the original German title) has just appeared in the magazine Fras, no. 16.
Set in Brittany during World War Two, it tells the unsettling tale of a non-combattant German living there in a state of increasing uncertainty – emotional, psychological, social and moral – and of the shadowy local figures he must reluctantly engage with. Its thriller elements remind me of John Buchan, and it draws eloquently on Breton myth, history and landscape.
Christopher – who I met through the poet Arne Rautenberg, who I’ve also translated – lives in Kiel. His novel Madonna won the Book of the Year (Rheinland-Pflaz) in 2007, and his new novel, Fahlmann, has just been published.
Copies of Fras 16 are available for £4 each from FRAS Publications, 10 Croft Place, Dunning PH2 0SB, Scotland, UK.
I’ve had translations of German-language poems published in several magazines this autumn.
Banipal describes itself as a ‘magazine of modern Arabic literature’. Some years ago I translated for it poems by Adel Karasholi, a Syrian Kurd long exiled in Germany, who now writes in German. The magazine has now started to feature a ‘Guest Literature’ in each issue, and Banipal 42 features Germany. The editors asked me to translate six poems by Ulf Stolterfoht. He’s not an easy writer to translate – he himself has translated J.H. Prynne and Tom Raworth into German, and his work is similar to theirs in its slipperiness. I approached task with some trepidation, but was helped by Ulf’s patient responses to my questions, and I came to enjoy their unexpected twists and turns, their extravagant playfulness. There’s a good interview with him (in English) here.
Modern Poetry in Translation has published a poem each by Thomas Brasch, Thomas Rosenlöcher and Heiner Müller. It’s taken my translations of poems by Brasch and Rosenlöcher previously (issues 3/6 and 3/11 respectively). Heiner Müller I knew of as a playwright, until I discovered a volume of his poems when visiting Berlin in 2009. ’Napoleon at Wagram’ uses the dialectical method – like musical counterpoint – two very different narratives, about Napoleon and Lenin, are juxtaposed, and the reader is invited to make the connection.
Poems by Christine Marendon are in Feathers & Lime (2007); earlier this year I began working on her poems again, and four have just been published in Shearsman 89/90, and another two in the on-line journal no man’s land. I like the enigmatic imagery of her work: tantalising hints and glimpses of characters, situations and narratives.
ctrl+alt+del describes itself as ‘a contemporary poetry foldable/printable ezine’. You can find it here. You print it out on a single sheet of A4 and there is a natty video that shows you hold to fold it. Issue 1 has work by Peter Hughes, whose pamphlet ‘Paul Klee’s Diary’ I enjoyed back in the mid-90s. Issue 3 has some mesostics by myself, and ‘twelve switches’, a translation I made of a poem by Arne Rautenberg (though as you may notice I can’t always count accurately). I like what CAD is doing visually – it reminds me of the late Duncan Glen’s magazine ZED 2 O, with its zany but thoughtful design.