Category Archives: Poets

Paolozzi at Large in Edinburgh

 

To coincide with the launch of a new book about the artist in his home city, I’m leading two walks featuring poems by Christine De Luca about works by Sir Eduardo Paolozzi (1924–2005). Paolozzi was born in Leith, and while as an adult he lived away from Edinburgh, he was commissioned to make a number of works here during the last twenty years of his life. He also bequested work to the Scottish National Gallery of Modern Art, which houses a reconstruction of his London studio.

The walks are South and East (Friday 2 November, 14.00–16.30) and West and North (Saturday 3 November, 10.00–12.30).

‘South and East’ takes in three groups of sculptures: ‘Egeria and Parthenope’ at King’s Buildings, ‘Early Peoples’ at the Museum of Scotland, and ‘The Manuscript of Monte Cassino’, originally sited at Picardy Place and now temporarily re-located at London Road.

‘West and North’ takes in ‘Wealth of Nations’ at the Gyle Business Park, stained glass windows in St Mary’s Episcopal Cathedral, and works at the Scottish Gallery of Modern Art.

Tickets (£6 / £4) and details of the routes are available via Eventbrite.
‘South and East’ (Friday 2 November, 14.00–16.30)
‘West and North’ (Saturday 3 November, 10.00–12.30).

Paolozzi at Large in Edinburgh (Luath, 2018), edited by Christine De Luca and Carlo Pirozzi, is the first book to look at the artist in his home city. It includes poems written by De Luca, the former Edinburgh Makar, in response to some of Paolozzi’s iconic works which can be seen around Edinburgh, as well as work by many involved in the art world: researchers, archivists and practising (RSA) artists. The book is part of the Eduardo Paolozzi Project created and developed by Carlo Pirozzi (University of Edinburgh). Paolozzi at Large in Edinburgh is to be launched at Blackwell’s Bookshop, South Bridge, Edinburgh on 31 October.

These walks have been developed with the help of funding from this Eduardo Paolozzi Project with the support of Edinburgh World Heritage.

Images, from top: Egeria (detail), Wealth of Nations (detail); MS of Monte Cassino; Paolozzi’s studio (details); Wealth of Nations, Master of the Universe, Egeria.

Does Poetry Pay?

RBS £1 note

“We are planning to put together a number of case studies on where authors and other creators get their income from and we’re inviting authors to be featured in blogs on the subject. Don’t be shy! These figures really help us in campaigning and negotiating.”

I’m a long-term member of the Society of Authors, which I’ve always found to be a supportive and smart organisation. When I saw this recent call for a blog post I decided to respond, partly to help with the SoA’s campaigning for a better deal for writers, and partly as a way of reflecting on my own situation now and over the past 14 years when I’ve worked freelance.

If you’re interested in how I’ve been making a living as a poet you can read my contribution here. The page gathering all the various authors’ case studies, which will be expanded in the coming weeks and months, is here.

Postcards from Edinburgh (1)

I’ve been tweeting some quotes from about Edinburgh, and here’s a wee collection of the first few.

EPT Wordsworth 02

 

EPT RLS 10

 

EPT DBM 02

 

EPT Garioch 02

 

EPT Piozzi 01

Dorothy Wordsworth recorded in her diary arriving in Edinburgh with her brother William on 15 September 1803. – Robert Louis Stevenson’s Edinburgh: Picturesque Notes (1878) still speaks to the city today.– Donnchadh Bàn Mac an t-Saoir, or in English Duncan Ban MacIntyre, was a Gaelic poet from Argyll who was a member of City Guard in the late 18th century; the lines, from his poem ‘Oran Dhun Eidann’ (‘Song of Edinburgh’), first published in 1804, translate as ‘Edinburgh is beautiful / in many diverse ways…’. – In ‘To Robert Fergusson’ Robert Garioch (1909–1981) imagines rattling the ‘rigg-bane’ or spine of the Old Town in the company of the energetic earlier poet. – Hester Piozzi, aka Dr Johnson’s confidante Mrs Thrale, visited the city in the summer of 1789, anxious she would encounter ‘a second hand London’, but found something quite different.