Category Archives: Adult Workshops

Miłosz 2011


30 June 2011 was the centenary of the birth of Czesław Miłosz. He’s a poet I’ve begun to read just in the past year, after the Krakow visit. I returned with a copy of his New & Collected Poems, bought on the last morning of the trip with the spare zlotys, and begun on the bus out to the airport.

Thumbing its pages, I made a couple of immediate connections: his appreciation of the Japanese haiku masters – Issa, rather than Basho, perhaps simply because he liked the coincidental link with the Issa Valley in his native Lithuania – and his ‘Notes’, a series of single sentences each under a short heading (‘The Perfect Republic’, ‘Epitaph’, ‘Mountains’), which are reminiscent of Ian Hamilton Finlay’s one-word-poems and monostichs, and Günter Eich’s (even briefer) ’17 Formeln’. Neither ‘Reading the Japanese Poet Issa (1762-1826)’ nor ‘Notes’ are entirely typical of his work, but they were useful landmarks I could start to navigate by.

I read him over the winter (in English, having no Polish). I read him aloud while sitting for my portrait, when Angus and I enjoyed enjoyed the discursive prose of ‘La Belle Epoque’, especially its closing section, ‘The Titanic’. When I proposed running sessions on his work for secondary schools, it became one of those rare and serendipitous projects everyone says ‘yes’ to.

In the summer term I visited schools in Edinburgh, East Lothian, Fife, Highland and South Lanarkshire, and will visit several more schools over the coming weeks. The poem I’ve come to focus on most is ‘The Dining Room’ (‘Jadalnia’) from the sequence ‘The World’ (‘Świat’), a seemingly straightforward description of an interior whose place and date of composition – Warsaw 1943 – soon open up deeper, darker layers of resonance.

The Scottish Poetry Library has produced a Miłosz 2011 poster, featuring the poem ‘Song on the End of the World’ (‘Piosenka o Końcu Świata’) in English and Polish, along with background information, weblinks, and a couple of photos of the poet in later life, craggy and bushy-eyebrowed.

There is also a series of Polish Poems on the Underground at the moment, including Miłosz’s ‘And Yet the Books’ and ‘Blacksmith Shop’, as well as poems by Zbiginiew Herbert, Wisława Symborska and Adam Zagajeweski.
I’m also running an event on Saturday 10 September at Macdonald Road Library, Edinburgh, for the Polish book group Zielony Balonik, focussing on Miłosz’s poems.

Strathcarron

Sundial

Let others tell of storms and of showers
I’ll only count your sunny hours

In spring and summer 2011 I ran several writing sessions with day-care patients at Strathcarron Hospice near Denny. We talked and wrote about places, objects, gardens, people, sharing and affirming memories, and opening new conversations about previously unsuspected things-in-common. Here’s a group poem –

A Strathcarron Lucky Bag

Sheena Easton, Larry Marshall,
Billy Bremner, Walter Scott,
Taggart, Wallace, Tom Mackay,
Mary Stuart and a’ yon lot

munch Selkirk bannocks, jeely pieces,
Atholl rasps and Cullen Skink,
haggis puddings, drop scones, crumpets,
a pint of IPA to drink

in Denny, Falkirk, River City,
Balquhidder, the Necropolis,
the Tryst Golf Club, Loch Fyne, Loch Tay,
at Mrs Anderson’s, Bo’ness –

and aye a jaunt to Kirriemuir,
I hear yon Camera Obscur–
a there is fairly worth a keek – but that
we’ll have to maybe leave till next week.

At the final session, last September, we read the work to other patients and hospice staff in the day-lounge. and I thought that was that, until this week a bundle of booklets arrived in the post.

Who We Are and What We Like

Who We Are and What We Like collects the poems and prose we wrote last week in a simple, 12-page, A5 booklet, thoughtfully and carefully crafted.

The photos below show some ‘Garden Haiku’ in the hospice grounds.

Hosta – food for snails

Coloured poppies / at lunch-time the school-kids / came to hear you pop

Rhododendrons / in springtime / in the gardens at Bidduph

If you’d like a copy of the booklet let me know, and I’ll post one out.

A Renga for St James

This renga, or ‘verse-chain’, was composed at St James Mill, Norwich, over four days in early July 2009 by eighteen writers in all, and flows over 109m of hoardings on the north bank of River Wensum in central Norwich.

St James Place is a large riverside site currently being redeveloped, and the renga is the first part of the St James Collection, a series of temporary and permanent artworks for the site. The renga, like the Collection as a whole, draws on the history of the site as a monastery, and later a print works.

The whole renga is available here.

If you would like a printed version of the renga, e-mail me your postal address via the ‘Contacts’ page and I’ll send a copy out to you.